As musical director and composer/arranger for such giants as James Brown and Van Morrison, Pee Wee Ellis needs no introduction. As Honorary Patron to Bristol Jazz and Blues festival he has been an invaluable contributor and 2018 is no exception. This new jazz project features Jason Rebello, piano Alec Dankworth, bass and Julie Saury, drums.
Few musicians get to celebrate their 75t h birthday knee deep in a new project charting the history of funk and its impact on music. Even fewer are still actively touring the world with their own bands or working in new collaborations. But after some 55 eventful years as a musician, band leader, arranger and composer Pee Wee Ellis can claim all those things.
His remarkable story spans six decades, starting in the 50s when he took himself and his sax off to New York city to find his heroes Miles Davis, Thelonious Monk and the great Sonny Rollins (who became his teacher and mentor.) A promising career leading jazz bands in Florida took an unexpected turn in the 1965 when he joined James Brown’s sensational Revue, playing alto. Within six months he was bandleader /musical director and was co-writing with James Brown. ‘Cold Sweat’, widely acknowledged as the first true funk record, and many of JB’s hits for the next four years were the fruit of this collaboration.
By 1970 Pee Wee moved on to CTI in New York and was producing and directing for the likes of Brother Jack McDuff, Esther Phillips and George Benson. In 1979 in California he caught the ear of Van Morrison and began a five year spell as Van’s MD/bandleader arranging the horns on albums such a Into the Music, and Common One
During the 1990’s Pee Wee moved to Europe and pursued a burgeoning solo career, releasing jazz albums including the critically acclaimed ‘12 and More Blues’. He also formed the JB Horns with ex James Brown alumni Maceo Parker and Fred Wesley, who toured widely to great acclaim.
Pee Wee rejoined Van Morrison as bandleader and arranger for five more highly successful years around this time. Meanwhile, his worldwide reputation had become apparent as musical stars from Africa and Cuba (including Oumou Sangare, Cheikh Lo, Ali Farke Touré and Buena Vista Social Club stars Cachaito Lopez and Anga Diaz) sought his distinctive sound for their recordings. Most recently he has arranged for and recorded with Boy George, Joss Stone and George Clinton
Having led the spectacular ‘Still Black, Still Proud’ an African Tribute to James Brown in the early 2000’s and being a founder member of drumming legend Ginger Baker’s Jazz Confusion in 2015/16, currently Pee Wee is focusing on his own projects: his band The Pee Wee Ellis Assembly still tour worldwide; he is working on his autobiography and an Anthology from his 50 year recording career. In 2016 he launched the the heritage project FUNK: Evolution of a Revolution, at NYU Performing Arts Center in Abu Dhabi, including the innovative masterclass FUNK 101, which has proved to be a great success from Abu Dhabi to Guadeloupe.
He is a regular contributor to educational programmes in schools, communities and universities – a fact recognised when he received an honorary doctorate in 2014, from Bath Spa University in the UK, and as a Yamaha artist in Europe
It has been a truly eventful musical life, and the signs are that Pee Wee Ellis has no intention of slowing down for a while yet, birthdays or no birthdays.
Pee Wee Ellis Jazz Quartet
Pee Wee Ellis – tenor saxophone
Jason Rebello – piano
Alec Dankworth – bass
Julie Saury – drums